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Jaycen Joshua's The God Particle plug-in

mbishop said:
I found in this video, a good, detailed explanation of what's going on inside.

Click to expand...

That's pretty good. I was able to spot the God particle without even hearing it previous to this. That track just had more depth to it in the low end.

I'm not usually one to buy into the magic plugin that does it all but after this explanation, I have to say, I'm sold. Will be picking it up this week.
 
José Herring said:
That's pretty good. I was able to spot the God particle without even hearing it previous to this. That track just had more depth to it in the low end.

I'm not usually one to buy into the magic plugin that does it all but after this explanation, I have to say, I'm sold. Will be picking it up this week.
Click to expand...

Every single track you’ve heard from me in the past year and a half has used The God Particle exclusively, if there’s any plugin you need to have this is the one, it will replace your entire mixbus and get you better results instantly
 
Hockey1 said:
Would it make sense to have ozone after TGP, or do you think this is overkill?
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I've done both, and often I've regretted using more processing after TGP when I listen back to the tracks. If you decide to go that route, I suggest you turn off TGP's limiter, use Ozone very lightly, and use it's (or external) limiting last.
 
KEM said:
Every single track you’ve heard from me in the past year and a half has used The God Particle exclusively, if there’s any plugin you need to have this is the one, it will replace your entire mixbus and get you better results instantly
Click to expand...
Are you using Goldclip before TGP, or maybe just on individual tracks? With TGP on the master are you considering the track mastered, or just mixed?
 
D Halgren said:
Are you using Goldclip before TGP, or maybe just on individual tracks? With TGP on the master are you considering the track mastered, or just mixed?
Click to expand...

TGP is a MIX bus plugin, it is not supposed to be used for mastering. Gold Clip is a mastering plugin, so Gold Clip always goes after

I keep seeing everyone confuse TGP for mastering and that is not its intended purpose at all, put it on your mix bus and then master afterwards
 
KEM said:
TGP is a MIX bus plugin, it is not supposed to be used for mastering. Gold Clip is a mastering plugin, so Gold Clip always goes after

I keep seeing everyone confuse TGP for mastering and that is not its intended purpose at all, put it on your mix bus and then master afterwards
Click to expand...
Ah, thanks. I did see this in the comments on one of the videos. 1000001080.png 1000001080.png
 
KEM said:
Yeah we use it right before a limiter, the limiter we use is actually the limiter in TGP, but it’s a completely separate instance of the plugin and everything is disabled in the plugin except for the limiter
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Cool, thanks for the knowledge.
 
Here’s a general idea of what our mix and master bus chains look like:

MIXBUS:
The God Particle

MASTERBUS:
Slate VMR Virtual Mixbuss (Neve)
Gullfoss Master
Shadow Hills Mastering Compressor
Kirchhoff EQ
Make Believe Studios Sontec
Gold Clip
The God Particle (limiter only)


The masterbus is subject to change depending on the track/project, sometimes plugins get swapped out, the order of the plugins gets moved around, or plugins get removed entirely, but that should give you a general idea of how we go about things
 
KEM said:
Here’s a general idea of what our mix and master bus chains look like:

MIXBUS:
The God Particle

MASTERBUS:
Slate VMR Virtual Mixbuss (Neve)
Gullfoss Master
Shadow Hills Mastering Compressor
Kirchhoff EQ
Make Believe Studios Sontec
Gold Clip
The God Particle (limiter only)


The masterbus is subject to change depending on the track/project, sometimes plugins get swapped out, the order of the plugins gets moved around, or plugins get removed entirely, but that should give you a general idea of how we go about things
Click to expand...
One last question. Do you master as a separate process, or are you mixing into the mastering chain?
 
KEM said:
Here’s a general idea of what our mix and master bus chains look like:

MIXBUS:
The God Particle

MASTERBUS:
Slate VMR Virtual Mixbuss (Neve)
Gullfoss Master
Shadow Hills Mastering Compressor
Kirchhoff EQ
Make Believe Studios Sontec
Gold Clip
The God Particle (limiter only)


The masterbus is subject to change depending on the track/project, sometimes plugins get swapped out, the order of the plugins gets moved around, or plugins get removed entirely, but that should give you a general idea of how we go about things
Click to expand...

Forgot to put Oeksound Soothe on there. That would usually go right after the compressor on the master
 
Don’t worry about the high end target, you’re likely never going to hit it. The only time I ever do is when I’m making extremely loud modern metal stuff and the only thing that triggers it is the snare, so just ignore it
 
Ok thx, so when I hit it, even it just lights up every few seconds, I should consider that something is wrong with my higher frequencies?

Oh another question:

Do you have it on the mixbus when you start producing or later when you start mixing? Does it matter?
 
Hockey1 said:
Ok thx, so when I hit it, even it just lights up every few seconds, I should consider that something is wrong with my higher frequencies?

Oh another question:

Do you have it on the mixbus when you start producing or later when you start mixing? Does it matter?
Click to expand...

No, it’s only “wrong” if you’re going past it, and that goes for the low and mid targets as well, the goal is to hit the targets. And I have it on before I start anything, I don’t turn it off under any circumstances
 
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