KEM
The TENET Guy
Well, I do mostly hip hop stuff. Sometimes electronic
If you’re really slamming your mixes then yeah your snare might trigger the high target, that’s totally fine
Well, I do mostly hip hop stuff. Sometimes electronic
And it’s totally fine when the limiter is off while mixing into? I think I would rather use another one when mastering.
How is the widening effect of god particle by default? I guess more widening is not really needed after?
Why would you mix into the limiter?1. I would suggest keeping the limiter on when mixing and then disable it whenever you go to bounce the mix, but make sure you aren’t clipping the output before you do so
2. It’s good, you don’t need to use more widening afterwards
Why would you mix into the limiter?
Wouldn’t it throw everything off when take it off at the end?
Why are you taking the limiter off?Bought it - $79 - thought I might hate it but er... it's rather good. The stock settings are perfectly judged, which is what you are paying for really. Take off the limiter and it's an excellent starting point for mastering. This and the UA Sound City plug-in are making for a fun day.
Why are you taking the limiter off?
Even when you take another limiter after, couldn’t you just leave it on? Why not?
Do the lights for everything (level , lows , mids ) still work like when the limiter is on? Or is it throwing this off when the limiter is off?
Because I use Pro-L to limit. I know it well and it provides a wealth of info that the GP does not. I trust it for final output.Why are you taking the limiter off?
Even when you take another limiter after, couldn’t you just leave it on? Why not?
Do the lights for everything (level , lows , mids ) still work like when the limiter is on? Or is it throwing this off when the limiter is off?
Would you use it too on something like this:
Music with not much bass , no drums and a rapper on it.
If so how? With the targets I mean
Agreed!I would use it on everything, there’s not a single thing I wouldn’t use it on lol
What tweaks did you make?Agreed!
Purchased this over BF having been eyeing it for some time, tried it on a purely orchestral BBCSO, AR1F composition, at first wasn't convinced, watched a few videos, made some minor tweaks....AMAZING!!!
Are you adding it in after you do your mixing or do you have it on the mix bus before you start processing? The idea behind it is to do the former and letting it act as sort of a guide on your decisions versus adding it as a final step.I always have the same issue when mixing in god particle; in the end I feel like my kick is too loud and I don’t know what to do, cause all other balances are great.
Any advice?
IMHO, much much preferred the without version. All the dynamics have been nuked at the beginning by TGP, Very nicely programmed by the way.Well this was on my Black Friday list. Here is Britten's Playful Pizzicato with VSL Synchron Strings Pro With and Without God.
Defaults all around.
Without
View attachment Multi - Master Pizzicato Demos - Playful Pizzicato - Synchron Pro 2.mp3
With
View attachment Multi - Master Pizzicato Demos - Playful Pizzicato - Synchron Pro 2 - GOD.mp3
God makes everything better!