I went for it, I upgraded my Lite to Areia Full.
It’s amazing! Loving the updated v1.2
The legato performance update feels so much more playable and expressive, especially having a cheeky little Portamento to sneak in every now and then.
The extra complete articulations list and the mic positions for all has also been a welcome upgrade for me.
Thanku
@audioimperia
I am also enjoying this library very much
My favorite things about this library:
-Versatility in tone. I love CSS but don't like the overall muddy, dark quality for busy legato passages. I use EQ for the longs but not the shorts. The fact Areia has the classic and modern mixes so easily accessible and interchangeable is really nice. Classic is genuinely warm and beautiful and modern cuts thru a mix like nobodies business.
-Versatiltiy in instrument placement and reverb - recorded centered and dry. Easily reposition any instrument and have a totally dry sound just by turning off reverb. This also allows you to blend it 100 percent flawlessly with your other samples by using the same space/reverb(s) for a totally cohesive simulated acoustic space.
-Dynamics - the truly nailed the dynamic range here. I used to only trust Ark 1 low strings for those REALLY aggressive low portatos/marcatos... however Areia absolutely kills for those aggressive low strings. The kicker is it can also do soft dynamics just as well. Really impressed with that, honestly.
-Tone/detail - there's a nice level of detail you get with these that other libraries can't match. I love the texture/bow noise of strings, and these are very detailed and sound VERY "alive". Which leads me to the last thing and probably the thing I love most..
-Overall this library sounds very alive. Of course you have to work with some quirks here and there, but overall, from the longs and legatos to the shorts, it's very kinetic and you really can hear the players performance in the samples, but not to the point where it's totally restrictive (you can still adjust vibrato, sample start, short note tightness, etc). Pacific and Vista are amazing but only one legato type, and the shorts in Pacific are absolutely drowning in reverb. Great library, but the Areia spiccatos sound VERY similar to me as far as the playing/sampling style, but you have more than one type of short and also you can turn off the reverb!
I paid $169 for this library, never owned it before, but that to me is a ridiculously good deal. PS I'm still on the "honeymoon phase" so I am excited about it, but it's not perfect! I will also try to be fair and balance it out.
Things that could still use improvement:
many of the legato transitions are more subdued and seem to be at a lower dynamic level than the connected sustained note. Sometimes it sounds as the legato transitions even have sort of a low pass filter compared to the rest of the notes, they are missing that top layer of bow noise/high end. There is still a sucking effect between transitions, where you can always hear the sustained notes "bloom" into full dynamics every time, which need to be finessed quite a bit for exposed passages. I am still experimenting with the legato smoothing and velocity curves and what not, to try to fix this. There is also some inconsistent panning and bouncing stereo field issues with legato (transition is hard panned and sustained note is more centered)
Volume of short note overlay in performance legato can be way too loud compared to the sustain it’s stacked with.
Performance legato violins don’t have the button to simulate 2nd violins. I use the legacy legato patch but when I do this, I realize instantly why users didn’t like the legato so much before the update!
And it still can’t do runs. Performance legato with the overlay is really nice though, but for fast runs it still can’t pull it off. It never claimed it could, so it wasn’t expected for me, but if it could it would genuinely be my first choice for any strings writing in a full orchestral context.