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IK released Pianoverse piano virtual instrument

IKMultimedia

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Breathtaking piano realism meets limitless creativity​

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IK Multimedia releases Pianoverse, combining the world’s finest concert-grade pianos with inspiring, cinematic effects to create an incredibly versatile virtual piano instrument that excels wherever a world-class piano sound is needed, from classical concerts to blockbuster movie soundtracks to live jazz performances.
Pianoverse lets users explore a breathtaking sonic range, from the most true-to-life acoustic piano experience to the wildest atmospheric and interactive creative textures, all in a single plug-in. And all with incredible ease of use and an inspiring workflow.
Capturing Treasured Pianos
IK’s team spent years sourcing treasured pianos from the most prestigious manufacturers. Each instrument is hand-tuned and prepared by a master tuner and then sampled using multiple microphone setups and IK’s custom-built robotic system.
Using a mix of hardware technology, software and the right dose of craftsmanship in-between, IK designed a sampling robot comprised of an extremely precise and silent linear motor with an elastic actuator on top made to perform exactly like a human finger.
All is connected to a control room computer where proprietary recording software handles the whole process achieving the degree of velocity measurement, sampling precision and repeatability necessary to capture each piano’s true sonic DNA.
The result is unprecedented realism across the entire dynamics of each Pianoverse piano without flattening it or simplifying it too much, which regularly happens with traditional sampling.

A Powerful New Engine
The IK sound design team then used subtle techniques perfected over 2 decades of virtual instrument programming to bring these thousands of samples to life. Pianoverse’s groundbreaking new engine uses completely redesigned round robin, voice management and other techniques to deliver a seamlessly authentic experience.

Beyond Accuracy and Sound
Pianoverse also shines with a unique combination of performance controls for both stage and studio work. To customize each piano’s sound, Pianoverse offers adjustable lid position, harp resonance, pedal noise or even the noise of the piano mallets, all things that are usually only available in modeled instruments.
For live use, all three pedals offer continuous control, including half- and catch-pedaling and una corda, to deliver an unmatched performance experience. Whether for classical, jazz, pop, Latin or any other genre, Pianoverse always offers truly superior piano sound and feel.

Must-have Studio Processing
Pianoverse provides two sets of microphones per piano so the user can choose if they prefer a more modern and in-the-face sound or a more classical sound. On top of that, for traditional sound-shaping and mixing, the Pianoverse engine also offers a comprehensive suite of must-have effects tools.
There’s selectable EQ and compression, each with multiple modes, for both instrument and room stereo microphone pairs. A dedicated master channel offers EQ and a VCA-style limiter for final mastering polish, while a Stereo Width control quickly sets the width of the image – and even reverses it from the player’s to the audience’s perspective.

Generative Spaces to Explore
Where most piano instruments end, Pianoverse is only getting started. Using a new generative reverberation engine, Pianoverse transports any of its concert-grade pianos to 30 sonic destinations. These go from traditional concert halls and studio spaces to less traditional ones like a warehouse or vault, and otherworldly cinematic environments like an iceberg, desert or even Mars.
Each space uses different sound generative techniques to create incredibly evocative soundscapes, inspiring creativity at each step. Plus each space includes flexible controls to further shape and create never-heard-before cinematic sounds and textures. These immersive, inspiring sound design options deliver the most complete ambient sound-sculpting piano instrument ever.

Unique Creative Effects
In addition to custom-created Spaces, Pianoverse also offers 12 new creative effects to design sounds. These effects range from new cinematic spatial effects to must-have studio effects and can be inserted on 3 simultaneous slots: the first slot being a parallel send effect, while slots 2 and 3 are insert effects.
Then, unique to Pianoverse, users will find 4 modulation sources – 2 envelopes and 2 LFOs – that may be assigned to various parameters in these 3 effects slots to further animate and move the sound and create extreme effects when desired. Together these effects offer an arsenal of sound-sculpting tools that cannot be found in any other piano instrument.

A Series of 8 Pianos
Pianoverse offers the widest sonic palette available in a single virtual instrument with an initial series of 8 remarkable instruments slated for release. The first pianos available now are based on a Yamaha CFIII Concert Grand, a Yamaha U5 Professional Upright, a
Bösendorfer 280 Vienna Concert and a Steinway & Sons New York D-274. With more coming soon on a recurring release schedule, featuring models based on a Bösendorfer 200, a Steinway & Sons Hamburg D-274, a Fazioli F278 and a Koch & Korselt Upright, users can discover new inspiration as they need it.

Options, Pricing and Availability
Pianoverse
is available now as individual pianos from the IK Multimedia online store and from IK authorized dealers worldwide at a special introductory price of $/€99.99* (instead of $/€129.99) per piano. All-access monthly and yearly plans are also available starting at $/€14.99/month or $/€149.99/year giving access to current and newly released pianos without limitation.
*Pricing excludes taxes

For more information about Pianoverse or to see it in action, please visit: www.ikmultimedia.com/pianoverse
 
No way I'd expect this.. but I'd only be interested if IK suddenly embraced Native Instruments' updated NKS2 with this product.
 
It looks like IK is making a push towards subscriptions…………
 
How many dynamic layers?
How many dynamic layers?
I would also like to know. Pianoverse sounds like a wonderful product and I congratulate IK on their vision and achievement, but my personal interest is not in the soundscape capability of the product, but rather how it stacks up against traditional piano libraries concerning the quantity of raw samples. There's no right or wrong answer. If IK didn't intend this product for more discerning composers/pianists who need deeply-sampled pianos, it's totally OK. I just want to know.

[I'm still reeling from an experience I had with a Toontrack piano a few years ago. Wonderful-sounding piano, but there was one repeating note in my composition that waffled between two dynamic layers. One was mp the other was mf. That piano needed an m layer and it just wasn't there. It was frustrating. So when it comes to any piano library, I have to know the number of dynamic layers.]


It looks like IK is making a push towards subscriptions…………
It seems the full price for all eight pianos could add up to $1,039.92, so I think IK is smart for offering a subscription option along with perpetual licenses.
 
It seems the full price for all eight pianos could add up to $1,039.92, so I think IK is smart for offering a subscription option along with perpetual licenses.
just wait for the next group buy! :)

btw, the music of the trailer is really good! I enjoyed it a lot but unfortunately for IKM, i don't need any more piano library now! :P
 
I have no idea how many velocity layers there are — I have no interest in that sort of information as it’s totally meaningless, I find (provided there’s an adequate minimum of expressive dynamic differentiation of course) — but the one I bought a few hours ago plays rather nicely, I must say.

A couple of details that could be singled out for comment, a few other things I wished were included (instead of the ridiculous option to be able to make the instrument sound as if recorded in the Antartic, on Mars or on the bottom of the ocean — who comes up with this sillyness?), some default settings which, to my ears, are a bit wrong (for a natural pianosound and -behaviour, that is) and one or two other things which suprised me to have passed a beta-test, but apart from all that: a very decently sampled piano. Lower half of the keyboard I would even call outstanding. (Upper half perhaps a fraction dead?) Really nice, full-bodied dimensionality to the sound as well, giving the instrument a presence you don’t often get from sampled pianos. Sufficient spatial possibilities too. And the whole different enough in sound and character from any other similarly branded sampled piano I own to guarantee it a permanent place among my platoon of virtual pianos.

€99 rather well-spent.

_
 
There is information including videos about the process of sampling these pianos that elaborate, noting that the robotic-assisted sampling was utilized in a way to best suit each instrument and noting that even each key will have a different velocity curve and other nuances:
A key has its own dynamic curve - the way it responds to varying velocity - and this curve is different for each key.
Only with a high-resolution, high-consistency sampling robot was possible to capture a detailed representation of the entire dynamics of the piano without flattening it or simplifying it too much, which is what necessarily happens with traditional sampling.
The videos below this statement on the site explain the process better than it or I can. They're worth checking out. https://www.ikmultimedia.com/products/pianoverse/
 
I have no idea how many velocity layers there are — I have no interest in that sort of information as it’s totally meaningless, I find (provided there’s an adequate minimum of expressive dynamic differentiation of course) — but the one I bought a few hours ago plays rather nicely, I must say.

A couple of details that could be singled out for comment, a few other things I wished were included (instead of the ridiculous option to be able to make the instrument sound as if recorded in the Antartic, on Mars or on the bottom of the ocean — who comes up with this sillyness?), some default settings which, to my ears, are a bit wrong (for a natural pianosound and -behaviour, that is) and one or two other things which suprised me to have passed a beta-test, but apart from all that: a very decently sampled piano. Lower half of the keyboard I would even call outstanding. (Upper half perhaps a fraction dead?) Really nice, full-bodied dimensionality to the sound as well, giving the instrument a presence you don’t often get from sampled pianos. Sufficient spatial possibilities too. And the whole different enough in sound and character from any other similarly branded sampled piano I own to guarantee it a permanent place among my platoon of virtual pianos.

€99 rather well-spent.

_
Which piano are you describing? The Steinway Concert grand , Yamaha Concert Grand, or another?
 
Pianoverse’s groundbreaking new engine uses completely redesigned round robin, voice management and other techniques to deliver a seamlessly authentic experience.
And how many dynamic layers? I miss examples of classical music on your audio demo page - is this on purpose?
 
There is information including videos about the process of sampling these pianos that elaborate, noting that the robotic-assisted sampling was utilized in a way to best suit each instrument and noting that even each key will have a different velocity curve and other nuances:

The videos below this statement on the site explain the process better than it or I can. They're worth checking out. https://www.ikmultimedia.com/products/pianoverse/
How many dynamic layers?
 
I saw the video about the sampling process, and it was very informative, but I didn't find any information in it about the number of dynamic layers sampled.

Advertising a relatively expensive, percussion-based sample library on VI-Control without disclosing the number of dynamic layers is like trying to sell a used car without disclosing the miles. I think Pianoverse sounds very nice based on the demos, but I have too much experience as a VI library consumer to fork out money based on demos and sales pitches alone.

I wish IK the best of luck with this product, but I can't risk running into another Toontrack issue like the one I mentioned earlier. Maybe I wouldn't with Pianoverse's round robins, but the way IK has ducked repeated dynamic layer inquiries has left me without confidence.

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