There are reviews and there are what I call presentations that demo a library. There are also composers with a YT channel. Both have their uses. I do NOT typically regard any of the videos as completely objective reviews though, in my humble opinion none of them really are. I consider the videos to be mostly entertainment, like a presentation about a subject I’m interested in. Because of course the presenters put in a lot of time and effort and expect to get something ‘out of it’. That’s completely fine with me, and to be expected.
Some great people on Youtube are:
- Simeon. Lovely guy, fantastic musician. Does a million first looks each year, and I’ve learned a lot from him - just in terms of usually the second video that’s gonna be available other than the vendor’s. Gives an excellent overview of stuff, and mostly is just fun to watch. Bringer of positivity, and that’s how he approaches any new instrument.
- ThomC. That’s right! Composes beautiful folky indierock and has a voice like an angel. And also the best British sounding accent a Belgian bloke has ever developed (but I think he did live in the UK for a while). Unique approach to reviews. I like the fact that Thom is not afraid to occassionally have and express positive opinions on stuff most VI-C members wouldn’t touch with a ten foot pole. Do even more singing Thom, I love it.
- Daniel James. Brilliant composer in my eyes. Knows what he’s talking about. Isn’t afraid to express opinions about stuff he dislikes, that most other presenters wouldn’t address or maybe (too) mildly. Maybe that’s what he’s now known for. And although I do get a laugh out of his rants every now and then, it is his music, his approach to composing and his way of rigorous testing that had me mesmerized. Put in some quick runs, see how agile a string library is. Copy and paste this MIDI and let’s compare to Areia or CSS shall we? And his absolute perfect and fast execution of quick tests like that have taught me a LOT. Plus, his noodling - take a pad sound, press down that sustain pedal, load in that native American flute or whatever, and play a bloody brilliant bunch of melodies for the next quarter of an hour. If that’s your thing, you’ll love James. I know I do.
- Dirk Ehlert. Another streamer with skills. Just the other day I was watching his Oceanea II stream (again), for obvious reasons. The man plays Beethoven’s 9th off the top of his head. Nails it. Chuckles and cracks a joke and then goes on to compose some brilliant sounding little cue in an hour, that sounds better than anything I have ever done and will ever do. While chatting and doing give-aways. And planning his next move (literally by the way, the stream gets interrupted when he learns some flight to Spain got canceled). Does he make reviews? Maybe not. Does one get to listen to the use of a new library in context of the very activity one is supposed to undertake with it (composing)? Absolutely. Invaluable. And fun.
And there are many others. Chris Siu. Of course Cory Pelizarri. Blakus.
For plugins: Michael White (mixing with Mike). For synths: Starsky Carr, Alex Ball.
And there are a lot of excellent videos done by fellow forum members. Geniuses like Luke
@jononotbono - Nathan
@Soundbed - Dave
@dcoscina - Nico
@Akarin and many others who put in a lot of work to share their experiences and opinions. Edit: not forgetting
@Alex Niedt - maker of the best demo in ‘22 so far