Thank you for not responding.........post 34 is exactly what i was talking about...but ok......see post #34
This is very strange, according to that page there has been no updates, but I just updated and it downloaded something for violin and viola (and not for cello). Confusing.Would be reflected on this page:
Current Versions - Orchestral Tools Helpdesk
Orchestral Tools collections are regularly updated with improvements and new features. The table below tells you the current version of all collections, the Caporchestraltools.helpscoutdocs.com
I had this problem overnight. I had to restart, then Sine crashed on close. It did pick up where it left off, but one patch looks dead. It sits at the top of the downloads with nothing happening to it. You can see that several patches have been downloaded since.I have such huge problems every time an update is going out.
Downloads stops, or going up to several hours per mic, or the downloader halts not showing anything or progressing.
Anyone is facing this?
OT support have been useless on this specific issue. Recommending to delete files, reinstall the entire library etc, which is not helping, just making things worst.
I just ended up wiping the multi and starting again. When the the ostinato legato option shows up in V1 - I think the new one is loaded.Sorry for my lack of knowledge, reloading patches to use the update, does it means removing al loaded articulation in SINE pr. instrument and then readjust al settings + mic mix?
Not speaking for OT, I still feel safe to say: no!@OrchestralTools is this new legato update coming to Kontakt editions or Berlin Symphonic Strings?
Legato transitions are the sound between the notes so to speak in a legato sequence; the sound which you can hear connects a note with the next one.Embarrassing question to ask, but can I get some descriptions of what you listen for to judge a good vs bad legato in a sample library?
Does that mean rr legato...? Else I don't get it.The new legato type (Ostinato Arp) seems to be good for repeated connected patterns.
yes it's RR Legato. it was in the kontakt versions but wasn't in the original release of BS on Sine. Glad they reintroduced it, though I never found it to work as well as I had hoped.Does that mean rr legato...? Else I don't get it.
Bad legato in sample libraries is like extra fingers in otherwise convincing AI-generated images. In simplest terms, bad legato does not reflect the sound of an actual player/performance because the notes aren't connected in a natural way via slur/bow change/etc. For instance, when I hear demos of libraries with poor legato, they immediately tell my brain, "This is programmed MIDI," and I don't want to listen further. Players of real instruments will likely always be most sensitive to this.Embarrassing question to ask, but can I get some descriptions of what you listen for to judge a good vs bad legato in a sample library?
I never seem to be bothered by the legato examples I hear; perhaps I'm more drawn to tone and string texture (where I definitely have my preferences)...