You know, ever since I have been reading through all the exciting reports on the newest synth for PM, I started to wonder if there actually is something that these newer models can do that NI Reaktor Prism can't.
Because what this thread does, it has me going back to Prism over and over and I love that thing!
Actually, (Mikro) Prism is kinda my first love when it comes to anything newer than subtractive synthesis and I was so blown away by it a few years ago, I bought the full model and started tweaking and all.
Now, here's a thesis: Prism can do it all, except switching to monophonic (but as it is Reaktor, people have found a way to get it to do that also). It is fairly complete. But it is very much an engineer's product (Stephan Schmitt). Everything is accessible and the full signal path is laid out on just one panel, which is ingenious, actually - but it just won't do user friendly, let alone beginner friendly.
I wonder if there's a physical modelling sound which Prism conceptually can not do. Has anyone ever hit the limits on Prism's sound engine and can talk about that? I would be delighted to hear about it.