doctoremmet
Senior Member
black midiamazing new bands in the last 10-15 years
black midiamazing new bands in the last 10-15 years
Listening now.... so far, very reminiscant of "Cake", especially the singers phrasing and accent:black midi
Whilst we're at this, we should at least mention Suede - Saturday Night. Produced by none other than our own @ed buller I believeblack midi
Although... the only Radiohead gig I left early was the Rainbows tour at the big outside gig in London (2008 I think?)... they basically were playing so identically to the album version, it was kinda boring... I much prefer it when they re-imagine tracks with whole new arrangements for live performance. There's so many versions of true love waits for instance... I was kinda disappointed with the eventual studio version, all the live versions arrangements were superior I felt.One of the things that really impresses me about Radiohead is how they can perform material that sounds like it needs to be constructed in a studio live, with all the interesting effects & intricacies.
Yea, that's a fair point. Still impressive thoughAlthough... the only Radiohead gig I left early was the Rainbows tour at the big outside gig in London (2008 I think?)... they basically were playing so identically to the album version, it was kinda boring... I much prefer it when they re-imagine tracks with whole new arrangements for live performance. There's so many versions of true love waits for instance... I was kinda disappointed with the eventual studio version, all the live versions arrangements were superior I felt.
Whilst we're at this, we should at least mention Suede - Saturday Night. Produced by none other than our own @ed buller I believe
That was one of my favourite 90s indie rock albums, right up there with Definitely Maybe and Ocean Colour Scene's B-Sides, Freerides and Sea-sides. The latter is a corker of an album, if you haven't heard it:
The time signature of Idioteque is so cool. The drum pattern is in 3/4 I think, but when Thom's vocals come in the whole song changes to 4/4. But after the first chorus, in the "ice age coming" section (around 1:51) the drums keep that 3/4 pattern and the vocals are in 4/4 IT'S SO COOL OMG!!
I absolutely LOVE these polyrhythms (is that the right word?)!
The time signature of Idioteque is so cool. The drum pattern is in 3/4 I think, but when Thom's vocals come in the whole song changes to 4/4. But after the first chorus, in the "ice age coming" section (around 1:51) the drums keep that 3/4 pattern and the vocals are in 4/4 IT'S SO COOL OMG!!
I absolutely LOVE these polyrhythms (is that the right word?)!
I've only seen Radiohead 14 times (including The Smile and Thom solo a couple of times), but the idea of leaving a RH gig early... I don't have words. I cannot comprehend. Possibly a gunshot wound or explosive diarrhea would make me leave a RH show, but otherwise I can't even imagine.Although... the only Radiohead gig I left early was the Rainbows tour at the big outside gig in London (2008 I think?)... they basically were playing so identically to the album version, it was kinda boring...
Hah, yeah, I think I'd just gotten to the end of my going-to-live-gigs time... I recently went to a Tinlicker gig here in Sydney, I havent' been a live gig in 13 years, and left 10 mins after they came on, I'd already had my fill of loud noise and crowds during the excellent support act. Plus, whoever was on the desk shoved the PA up 20db for Tinlicker, and it just turned into a hot mess of distortion and too loud.I've only seen Radiohead 14 times (including The Smile and Thom solo a couple of times), but the idea of leaving a RH gig early... I don't have words. I cannot comprehend. Possibly a gunshot wound or explosive diarrhea would make me leave a RH show, but otherwise I can't even imagine.
Maybe he forgot to put the minus sign before typing the number - something I always forgotPlus, whoever was on the desk shoved the PA up 20db for Tinlicker, and it just turned into a hot mess of distortion and too loud.