It's perfectly fine to argue that "I hate Einaudi". Or that "There isn't enough complexity in the Einaudi in the dimensions of complexity that I require to meet my requirements of musicality". Or even "I hate ambient piano music". Or that "'She loves you ya ya ya' is a terrible lyric.
But you're saying my argument is slightly
Yes, because it rests on the false supposition that being first within different sets of limitations is an equal achievement.
Take, for instance, a comparison with the visual arts. I love comic strips like Dilbert. Within those there are very definitely greater and lesser artists. Some reach a level of genius, where they know precisely what is needed to convey the story - sometimes as little as a frame with a single raised eyebrow in it. But that doesn't put it on equal footing, as art, with, say, Da Vinci. Would I want every frame of a cartoon to look like the Mona Lisa? Absolutely not. The funny would be lost in decoding what the artist was trying to convey. There is a place for both, and nobody tries pretending one is the other.
Being the Lennon/McCartney of your genre is to say you are creating the most appealing art within a set of limitations, and that you have learned how to make those limitations a virtue. And in a certain dimension that
is an equal achievement - but that dimension is not the amount of craft required. I would probably argue that Einaudi is the Lennon/McCartney of his genre - within phenomenal limitations he still manages a sense of poise, and a certain profundity, and clearly has mass appeal. But the Classic FM marketing of him makes exactly the same supposition that lies behind your argument - we love it, therefore this guy is a greater craftsman than Stravinsky. That's what critics object to, and to respond to them by pretending they can't comprehend your language is a bit
silly.
And, as I said about a bajillion posts ago now, I wouldn't mind except for the effect it has on the industry. Classic FM actually began assaulting classical music long before they found Einaudi. As soon as they were a station they ran a chart. Only sales at certain stores counted, and some of those stores
only stocked the Classic FM chart. So, naturally, it was an entirely stagnant thing, and consisted of album after album of smooth classics - compilations of slow movements, nocturnes, etc. Then they hit on the idea of having a stable of their own affiliated musicians. I don't know what Einaudi would be doing if not playing into the Classic FM ethos, but I know others who have definitely changed. Milos went from being an exciting classical guitarist to a purveyor of 'smooth guitar.' And it's still having the same impact as at the start. They tell people that the purpose of classical music is to be a relaxant, the people buy it, and there then appears to be a market to fill; which has killed everything else. Go into a previously very good record store (in the UK) and there is only Classic FM's playlist. Try shopping on Amazon and you can have Einaudi's entire works tomorrow, but if you want orchestral music, that was recorded abroad, you have to wait a month, and pay extortionate postage, because the distributors no longer see the point of holding stock in the UK.
None of this is to say I hate Einaudi. It's got it's place, and it's limited, not poorly crafted. And I adore the Beatles.