Aymara
Member
And that's not enough protection? Are there so few trustworthy trailer composers available?
I've been in the trailer music industry for 11 years. Here's what they pay and how to get into it...
- Thread starter yapa
- Start date
jcrosby
Senior Member
My point is that it all comes down to the studios/directors/creative marketing, etc. No matter how trustworthy a library or composer may be it isn't their decision if the studio wants to be protective of all of a film's IP....
Last edited:
