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IPad, Staffpad, Logic Pro - Moving Off The Desktop DAW

well bottom line..I will continue to use my Ipad for staffpad and sketching around the piano and for remote control in the studio, but honestly..I will stick with mac for most serious stuff, and might even end up getting an mbp for travel too, because I don't like being limited, and I always feel limited just a bit with iOS. I literally was wishing I had setup my mac at home with remote desktop mode so that I could access it from my ipad and use it remotely while traveling abroad rather then make due with the ipad.

Right...there are certain libraries, synths, samplers, and other misc. audio apps, sfx, and soundfiles that are very different than what iPad's can offer and are hard to imagine living without from all the work I've done over the years, because they have become part of 'what I do and have to offer'.

(....we don't all want to sound the same, or be limited by our instrumental choices, do we? If all I did was compose orchestral music, then I'd be totally happy with the StaffPad library offerings....but in a 'limited' way.

I would sure want to see more brass mute offerings, more string harmonics, and many, many other intrumental techniques that aren't even touched on with any of the StaffPad libraries.

Hopefully other companies or library creators will add on to what could be available for StaffPad.)

But I can certainly see doing what @ssnowe has done. Take the StaffPad audio and then put stems or the whole audio file into Logic or another DAW and do further work adding other instrumental sounds, etc.

I really enjoyed and loved my just finished project in which I scored and composed entirely in StaffPad for a 13 minute piece which was writen for a live concert setting. So, I really wasn't that concerned about the playback in StaffPad except for just checking my harmonies and form as I went along. It was excellent for me, in the same way that NotePerformer is excellent in Sibelius on my studio Mac.

I transferred my StaffPad score over to Sibelius so that I could add all the articulations, etc. etc. etc. and then format parts and use the music font that I prefer for this particular ensemble. It was all very smooth.
don't get me wrong, I do dig the ipad, and with magic keypad keyboard, its practically like a laptop honestly. nice form factor on the airplane. but when it comes to the power tasks that I am into, it just can't compete with a loaded up mac. Other than staffpad.

Yeah!....the portability is unbeatable! I just ordered a CME 25 key USB controller so that I can always have it in my bag with the iPad Pro for when wanting to go somewhere else to sit and think, or actually get some work done. The CME is only about 15" long, and has full-sized keys.
I am looking forward to eventually trying out the new staffpad feature where I can place the ipad on my piano and play the parts in, that will be cool. The ipad will still get used.
I have a 3rd gen. iPad Pro and the piano capture isn't what I'd call useable. You probably need an M1 iPad because it seems that is what was used for the initial development of the piano capture.

For me, the huge plus of StaffPad is that I just feel more 'in the flow' being able to use my pencil/paper upbringing for the actual composing process.

Am glad to see that the availability of StaffPad, and what David Hearn has done, is to help make people realize that actual music notation is alive and well and will never die out. The handwriting recognition will probably only get better and better as time goes on!
 
I love the iPad for sketching out midi ideas but then import midi to Mac running Digital Performer where I have a much easier time editing and refining ideas.
Maybe it’s the casualness and spontaneity of the iPad that helps me free up ideas. Whereas on desktop it’s more of a serious, get down to work sort of environment.
 
Things have gone an interesting route here. Started out by jumping all in on primarily iPad based music composition just to see if I could.

The width and depth of iPad based tools have gone way beyond my expectations. What a fantastically creative platform to work from.

And now I’m in possession of an Electron Syntakt and a Roland SP-404MkII sampler and their unique personalities and am working on combing them with symphonic based compositions in Logic, Dorico, Staffpad, AUM, and more creative tools than I can count on the iPad.

My whole music composition process has dramatically changed. Mind officially blown.
 
The width and depth of iPad based tools have gone way beyond my expectations. What a fantastically creative platform to work from.

My whole music composition process has dramatically changed. Mind officially blown.
I've been straddling between ios and desktop for a while and they work well together. Maybe I should post some examples sometime.
You may know this already but there is a great and helpful forum for ios music here:
 
I've been straddling between ios and desktop for a while and they work well together. Maybe I should post some examples sometime.
You may know this already but there is a great and helpful forum for ios music here:
I’ve been part of that forum for a while now, great group of musicians there.

Also some really good people over at https://www.elektronauts.com/latest
 
Things have gone an interesting route here. Started out by jumping all in on primarily iPad based music composition just to see if I could.

The width and depth of iPad based tools have gone way beyond my expectations. What a fantastically creative platform to work from.

And now I’m in possession of an Electron Syntakt and a Roland SP-404MkII sampler and their unique personalities and am working on combing them with symphonic based compositions in Logic, Dorico, Staffpad, AUM, and more creative tools than I can count on the iPad.

My whole music composition process has dramatically changed. Mind officially blown.
Can you elaborate? Are you saying you're scoring in Staffpad IOS and outputting on Mac desktop?
 
Everything is on the iPad or attached to the iPad, no Mac desktop involved in any way
 
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