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Most large and cinematic strings recordings?

Lionel Schmitt

Senior Member
Hi!

Curious to hear the largest and richest and ideally most modern and cinematic sounding strings...
Smooth, silky yet large and intense, deep yet natural low end and lots of spacial largeness...

This is probably mostly something to find in soundtracks rather than classical recordings and concerts, although there might be some too...
 
Hi!

Curious to hear the largest and richest and ideally most modern and cinematic sounding strings...
Smooth, silky yet large and intense, deep yet natural low end and lots of spacial largeness...

This is probably mostly something to find in soundtracks rather than classical recordings and concerts, although there might be some too...
Well, it's not modern, but this:

fits the bill.

The Pacific Symphony Orchestra playing Respighi, recorded by Keith O. Johnson for Reference Recordings in 1984. It sound astonishing, almost binaural wideness, unbelievable lushness without being washed out. Apparently it was recorded in a high school auditorium... I have no idea what they would have done in 1984 to make it sound as it does. Well worth a listen.
 
Well, it's not modern, but this:

fits the bill.

The Pacific Symphony Orchestra playing Respighi, recorded by Keith O. Johnson for Reference Recordings in 1984. It sound astonishing, almost binaural wideness, unbelievable lushness without being washed out. Apparently it was recorded in a high school auditorium... I have no idea what they would have done in 1984 to make it sound as it does. Well worth a listen.
Thanks! That's super impressive indeed.

Keith O. Johnson also recorded EastWest Symphonic Orchestra which is still somehow one of the most "modern" sounding libraries I know, despite being from before 2000 as far as I know.
 
Thanks! That's super impressive indeed.

Keith O. Johnson also recorded EastWest Symphonic Orchestra which is still somehow one of the most "modern" sounding libraries I know, despite being from before 2000 as far as I know.
From this review.

Recording started in August 2002, the orchestra giving up their Summer break to the sampling sessions, and editing the resulting multi-channel recordings lasted nearly another year.
And, about the Pro Xp Expansion.

Two years after the sessions for the original library, the Symphonic Orchestra production team (...) returned to the original orchestral hall with the same pool of players to record a new set of samples. (...) Professor Johnson and the 100-strong tribe of musicians and technicians emerged bleary-eyed from the concert hall one month later.
 
You mail a publisher and get easily the number of players given in front of the score

if you are in USA you may find easily a catalog of soundtracks, with description of the instrumentation


Iconic is the theme for Gone with the Wind
 
Hi!

Curious to hear the largest and richest and ideally most modern and cinematic sounding strings...
Smooth, silky yet large and intense, deep yet natural low end and lots of spacial largeness...

Probably not what you were looking for but I think it fits your description quite nicely....

Just crank up the volume for possibly the most glorious sounds ever made with strings.

The composer intended this piece to be performed in this specific setup and cathedral.

 
Some John Barry stuff comes to mind, check out Dances With Wolves :D

Also some Horner stuff as well, like Legends of the Fall (which I love!).

Oops, are those scores not modern enough? 😅
 
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Probably not what you were looking for but I think it fits your description quite nicely....

Just crank up the volume for possibly the most glorious sounds ever made with strings.

The composer intended this piece to be performed in this specific setup and cathedral.


Thank you so much for this. I didn't know this piece, and found it incredibly gorgeous! The YouTube algorithm suggested this performance, too, which I loved as well (probably due to my anti-reverb bias):
 
Thank you so much for this. I didn't know this piece, and found it incredibly gorgeous! The YouTube algorithm suggested this performance, too, which I loved as well (probably due to my anti-reverb bias):

Everything is fantastic here, the composition, the instrumentalists and the SOUND!
 
Thank you so much for this. I didn't know this piece, and found it incredibly gorgeous! The YouTube algorithm suggested this performance, too, which I loved as well (probably due to my anti-reverb bias):

It is gorgeous isn't it?
This version is great as well. I can't really choose between the more dry and wet versions. The cathedral reverb gives it a certain silky softness and celestial quality which I love.
I'd pay serious money to travel there and hear it at that cathedral, but I've searched in vain for performances there. I was hoping it would be a recurring event, since the composer chose this cathedral for the piece and its first performance.
The piece was used in the film Master and Commander so there's a little cinematic link as well.
 
It is gorgeous isn't it?
This version is great as well. I can't really choose between the more dry and wet versions. The cathedral reverb gives it a certain silky softness and celestial quality which I love.
I'd pay serious money to travel there and hear it at that cathedral, but I've searched in vain for performances there. I was hoping it would be a recurring event, since the composer chose this cathedral for the piece and its first performance.
The piece was used in the film Master and Commander so there's a little cinematic link as well.
Both versions are superb, even if I'm a "fan" of reverb, the sound recording of the second one is really great ! I think for some it's a good thing to have the score.
 
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