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Share your free Falcon patches here

Here's one of mine. The first one I made from Init without using samples. I call it 'Saw and Sine with Arp Feedback on Mod Wheel'. Catchy, don't you think? The art, if it loads okay, is mine and for convenience I am calling it 'Red Sky'. CC0, naturally.
 

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  • Saw and Sine Feedback on Modwheel.rar
    495.7 KB · Views: 62
  • Red Sky.mp3
    375.6 KB
liquidlino said:
This is lovely! I took the liberty of adding some more modulations and FX to it, and came up with the attached - I was really focussing on the bottom end of the keyboard, bringing out that lovely timbre.
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Great idea. I was mostly using @R. Naroth's patch for higher sounds. What I love about it is that it doesn't clog up the frequencies so that it will cut through a mix and not need heavy EQ-ing. That and the fact that it is beautiful and evocative.

I tend towards extremes and excess, possibly because my hearing for some frequencies is not great, or possibly because I'm just that metal :emoji_metal:

@liquidlino, I'll check out your patches later when I have time. I'm looking forward to it. I could spend the rest of my life in Falcon on other people's patches, just playing around and enjoying the sounds.
 
liquidlino said:
I agree! I literally haven't opened another synth since buying falcon other than to copy patches across for learning reasons. I love the workflow and endless modulation, oscillator, filters, FX. And everything always sounds great. I don't think I've made a sound yet and not liked it. There's quite a few wish list synths gone on sale recently, but I don't think I will buy any of them, as I can't see that I want to bother learning a less capable synths workflow.
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I think I'll always have room for other synths as they do have different characters. But I really pretty much stopped learning them since getting into Falcon. I do have my eye on a couple of physical modelling synths in case they go on sale; and Bazille is perennially on my wish list.

On Falcon I did manage to make a sound with virtually no attack transients and an extremely dull sustain that I think many would regard as bad. I still quite liked it and I wish I'd saved it now!
 
liquidlino said:
Here's a few of mine so far. Can only share ones without samples, as the samples in my patches are from commercial sample packs, so I don't think I can share them in their raw state (not used in a song). Still learning this synth, but it's so flexible and bottomless I'm sure I'll never run out of things to learn.
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Really nice set of varied sounds, @liquidlino. Thanks for sharing, seems like a lot of time was spent creating some of them. Oh, and I really loved what you did with my bells and pad sound. It sound more pro now. Lots of new things to learn from. Keep them coming. :)
 
liquidlino said:
This is lovely! I took the liberty of adding some more modulations and FX to it, and came up with the attached - I was really focussing on the bottom end of the keyboard, bringing out that lovely timbre.
Click to expand...
This is a great big, noisy version! Very nice!
 
liquidlino said:
Here's a few of mine so far. Can only share ones without samples, as the samples in my patches are from commercial sample packs, so I don't think I can share them in their raw state (not used in a song). Still learning this synth, but it's so flexible and bottomless I'm sure I'll never run out of things to learn.
Click to expand...
Marvellous! You are very generous to share so much goodness with us! Lovely and usable sounds!
 



Hallowe'en takes us into liminal space, where time is not what it was, and you can find yourself stepping backwards as easily as forwards. So, I have here a nice little patch featuring nuns singing, feedback screaming and wolves howling. You know, for kids!

It wouldn't upload, possibly because it it too big (I've included the whole of the nuns' song so you can change the sample start and end points), so I've attached a google drive link where you can download it.

I've set the sound very quiet because if you dial up the Mix with the Feedback set in certain places, it can get very hard on your speakers/ears. You may want to adjust this. Also, I have not CC assigned the Macro controls, but you'd want to do this if you were going to record with it. You may also consider putting some LFO modulation on the Comb. I prefer to control it by hand.

The nuns' song was in B, hence the name. And so the sample is set to B3 so that it plays in the key of whatever note you play.

Everything is CC0/Public Domain, including my art. (You can easily do this sort of picture with a photo taken on your phone and the free GIMP software.)
 

Attachments

  • Nuns in Bee.mp3
    609.9 KB
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liquidlino said:
Nice just had a nice jam with that, very mellow.
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Thank you. I was quite happy with it at first. It's nice to adjust the filters, the gain on one of the sounds, and the unison whilst playing, too. I had a lot of fun combining it with Nunecho at a lower volume and controlling the comb while I played.

The Wave Sequencer is a lot of fun. I don't think it has quite the range of options of the Rain Sequencer, but it is a good tool for sure.
 
liquidlino said:
Mr Pier can now play this for himself, as he is now a falconista. (I'm sure if I say falconista enough times it'll catch on).
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It will catch on. You just have to ask the universe for it and soon everyone will be saying falconista. Or, at any rate, they'll say something to you beginning with 'F...'
 
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